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This shows the cut/boost implications of overlapping bands neatly, while the sound is wonderful, allowing you to introduce serious cuts and boosts without producing over-bright or over-dull results.
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Left/Right and M/S modes are available here too and what we particularly like is how the graphic 'blobs' representing each band adjust if you widen an adjacent 'Q' point.
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Up to 24 bands can be set up simultaneously which represents huge flexibility and an Analyzer can be enabled for both pre- and post-EQ graphs. Hold down 'command-Alt' at the same time and you'll adjust 'Q' for that band. To enable a band, you simply double-click on the line and one appears, ready to be dragged up and down for cut or boost. This is unlike any other EQ we've ever used as, rather than a fixed number of bands which can be enable or otherwise, the default setting simply shows a flat EQ line. The Pro-Q is our favourite of the three processors, due to its extraordinarily flexible nature, great sound and wonderful interface. Be careful not to cook your speakers! Super-toned One note of warning - up to 36dB of output volume can be added with the 0dB position at the top of this dial rather than far right. Three modes - Clean, Classic and Opto - allow you to radically change the sonic characteristics of the compressor from clean and transparent through to warm and retro.
![Fabfilter total bundle music production](https://kumkoniak.com/84.jpg)